Great Sand Dunes II

Great Sand Dunes With Snow II (Img# 100327_1005414)
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Great Sand Dunes With Snow II (Img# 100327_1005414)

I didn’t  appreciate the potential of this image during my first edit.  But with a little cropping and added contrast, it works.  Be sure to click on the image for a larger, sharper version.

Great Sand Dunes After Snow Storm

Sand Dunes With Snow (Img# 100327_1005467)
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Sand Dunes With Snow (Img# 100327_1005467)

During a recent trip to Monte Vista to photograph cranes, I took a brief side trip to Great Sand Dunes National Park.  The dunes were dusted with snow from a storm the night before.   Beautiful!  The snow melted quickly, but the combination of wet sand and melting snow was great while it lasted.

Sand Dune Detail (Img# 100327_1005425)
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Sand Dune Detail (Img# 100327_1005425)

The tops of the sand ripples dried out before the troughs, accentuating the the subtle texture of the dunes.

Sand Dunes with Melting Snow (Img# 100327_1005426)
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Sand Dunes with Melting Snow (Img# 100327_1005426)

One more attempt at grand landscape.

Between Light and Shadow

A few months ago I was killing some time between the sweet morning and evening light browsing the Monte Vista Crane Festival. (The festival is really a big fair/craft show/small town event — both charming and odd at the same time).   I stumbled across “Between Light and Shadow” by John Weller as I was leafing through books at the Great Sand Dunes National Park table. It stopped me in my tracks.

I can sum up this book by saying that it is easily the best book of outdoor photography that I’ve seen in the last five years. (And I’ve read, and purchased, many such photography in that time).  Weller’s book has three virtues that set it apart from most of the outdoor photography books in my collection.   First, he has a unique style. Rather than employing the contrasty and highly saturated only-in-sweet-light style that dominates landscape and wildlife photography, his photos are under-saturated, low contrast, even a little dark.  He doesn’t rely on the “sweet light” but uses all sorts of different lighting — including, in particular, storm lighting — to great effect.   Second, he  lived in the dunes for several months over the space of a year.  This manifests itself both in the quality of the images (you don’t get very many images this good on a week-long trip) and more importantly on Waller’s eye for the place. Finally unlike the prose in many photography books, Weller’s prose is engaging and well written.

If you like landscape photography even a little, and you don’t have this book in your library, you’re missing out.