Bosque 2009

I started a long blog post about my experience shooting at Bosque del Apache National Wildlife Refuge over the last three years, years, the difference between the conditions this year and last, the reasons why I made various images, etc. Then I realized that the post was ponderous and boring.  Instead, here is a simple gallery of the best images from my trip this winter, plus a so-so quail image that I included for sentimental reasons.  Hopefully the images can speak for themselves. (Click on a thumbnail for a larger view and for a slideshow).

My Entry in Darwin Wiggett's Year End Photo Contest

Sandhill cranes in Morning Fog

Darwin Wiggett was nice enough to post the image above on his blog as part of his year end photo contest.   Given all of the great images in the contest, I don’t expect to win, but I appreciate the opportunity to show my work to a broader audience. Thanks Darwin!

P.S. If you are not familir with Darwin’s photography, you should check out website. Very, very nice work.

Elk and a Mulie

Sparring Bull Elk

My dad and I made an overnight trip to Rocky Mountain National Park earlier this month to photograph the elk during the second or “false” rut.   The park is wonderful in December.  The crowds are gone, the snow is falling, and the bulls in the main bachelor herd spar almost constantly.  In fact, we almost had too much snow — at times the morning snow was so heavy that it obscured the elk. (Click on the images for a larger view and a slideshow).

Cow Elk Headshot

Elk Calf in Snow

Though the snow made it a bit challenging to photograph the bulls fighting in Horseshoe Park, the snow made for some wonderful images of the cow and calf herd in Moraine park.  There is something whimsical about a show-covered elk.

Mule Deer Buck in Snow

As an added bonus, we ran across this mulie.  Unfortunately another rude photographer ran this guy off before I could get the perfect image, but I’m reasonably happy wit this one.

Sparring Bull Elk II

One last image of the elk fighting.  Less of a sense of motion than the first image, but I like the eye contact.

Backyard Cooper's Hawk

Cooper's Hawk in the Snow

I was feeling a little lazy this morning, and so didn’t make it into the field for photography.  Happily, the Christmas night snow brought a Cooper’s hawk to my bird feeders, looking for a songbird meal.   (This one eats a lot of house sparrows, which is fine with me).   In what are surely the easiest wildlife images I’ve made, I captured these photos standing in my kitchen (in my robe), shooting out the door.  I used my neighbors’ garages as the backgrounds in both images.  The green garage makes a nice background for the head shot, while the white garage made for a nice, high key background for the second image below.  As always, click on the images for a larger view.

Cooper's Hawk on Snowy Branch

I can’t quite decide whether I like the stick at the upper left — I alternate between thinking that it gives the image a touch more context and thinking that it is distracting.  Have a though? Post a comment.

Forest Blurs

Aspen Bole Blur

I made this blurs during a trip last weekend to Rocky Mountain National Park. I am quite taken by William Neil’s and Alan Briot’s blur work, so when the elk stopped doing interesting things, I took a few moments to make these images. Note that the blur effect is created entirely in camera, not with software post-processing.  I really like the play of the light on the aspen boles in the first image and the great sense of texture.  In a perfect world perhaps the background would be less busy.

As always, click on an image for a slideshow/larger version.

Lodgepole Pine Blur

More elk photos (and some Bosque images) shortly.

Um, Ouch.

Yeah, that’s a little close to home.

On the fence about the 7D

I am still on the fence about whether to purchase a new 7D or a used ID MIII.  (Note to non-camera geeks: you can stop reading now).  The consensus is the autofocus works great, but the jury is still out on image sharpness and noise levels.   DP Review raves about the camera.  Gizmodo likes it.  Darwin Wigget says the images are soft.  Drew Strickland at ProPhotoHome disagrees.  Wigget is still not convinced.  Meanwhile, Fake Chuck Westfall is apoplectic [NSFW].  Bob Atkins, for his part, likes the camera but says the resolution isn’t as high as the megapixels might indicate.

Several reviews mention noise levels.  For instance, Nick at GSM Arena also likes the camera, and says that the noise is “tolerable”:

There was a lot of commotion in the enthusiast community about the Canon 7D pixel-crammed sensor. The 15 megapixel EOS 50D was not among the Canon’s most successful products and the new 18 megapixel camera made photographers fear the worse – excessive noise without noticeable increase in resolved resolution.

The real-life results however are far from that and they are actually quite promising. The noise is well contained and has a more tolerable film-grain-like look – that’s way better than what most people expected from the most pixel-dense APS-C sensor on the market.

Scott Bourne agrees with  Nick’s description of the notice as “film like” but says that the noise levels are unacceptable, at least with the current beta of Adobe Camera Raw:

I have one complaint about the camera but it may be premature. As it sits now, the 7D still images are noisy. Period. There’s no getting around it. But the possible culprit may be the lack of a finely tuned raw conversion from Adobe. I am using the beta version of ACR that supposedly supports the 7D but I can tell you it’s not there yet. There’s no way this amount of noise is acceptable. At ISO 250 I saw plenty of noise after conversion. I suspect this will be improved once Adobe finishes dialing in ACR for this specific camera.

At least he likes the autofocus, claiming that it “worked perfectly” for challenging birds in flight.  I read Artie Morris’ first impressions review to express more or less the same view about the noise and the autofocus:

I finally got a chance to try the relatively new Canon EOS-7D and I gotta say that I was most impressed, especially with the all new AF system.  Focus on any subject with the central sensor and recompose and the system switches sensors to stay with the originally selected subject.  You can actually see the active sensor or sensors change as you track the subject.  AF is fast and sure; I never once lost focus on the cranes in flight.  And best of all, the resulting images are tack sharp.  In the image above I started with the central sensor and the bird in the middle of the frame.  Even though I moved the bird back in the frame and several other birds flew by, the AF system was not fooled into losing the original subject.

This image was created at ISO 1000.  There was a bit of noise that was easily controlled with Photoshop CS3’s noise reduction.

So where does this leave me? Confused.  I like my 40D a lot, but I’d sure like a bigger viewfinder, better autofocus, and maybe even a few more megapixels. But given my style of photography, lower noise levels would improve my images more than those other features, and I can make nice 13×19 prints from the 40D.  I think that means I should get at 1D MIII, but . . .

Rework

ask_091018_1008980-edit

I took another look at the bull elk from this post and saw a monochrome image lurking in the original color file.  After converting to monochrome I added a slight cold tone and cropped a bit from the bottom.  I think this image is more effective than the first.  Agree?